Chinese Art History Comparison Paper

I have started the essay and need 5 pages comparing the artworks that I chose.
a thesis is needed for the essay so if the one that I chose does not fit, feel free to change it. (And please check the wording for the ones that I wrote)

https://www.metmuseum.org/art/collection/search/39542

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https://www.metmuseum.org/art/collection/search/39936?searchField=All&sortBy=Relevance&deptids=6&when=A.D.+1000-1400&where=Asia%7cChina&ft=Song+Painting&offset=0&rpp=20&pos=8

I included the sample essay and the essay that I started in the files.
I need a detailed comparison of the artworks including composition, techniques, brushstrokes, artists, some historical information, etc.

Refer to these two websites for brushstrokes
https://education.asianart.org/wp-content/uploads/sites/6/2019/09/Brushstrokes.pdf

https://education.asianart.org/wp-content/uploads/sites/6/2019/09/Chinese-Brushstrokes-Vocabulary-AAM_0.pdf

 

please include all 4 sources. the two museum ones and the 2 brushstroke ones.
we were referencing michael sullivan’s the arts of china for the class so if possible, please include some background information from this as well.
The essay is very straight forward. no need for any academic wording.

here are some details required from the prompt:

remember to visually analyze and compare the two chosen artworks, and find a central thesis argument in your comparison. You do not need to describe all visual details of the two artworks; instead, you should focus on the visual aspects that you are comparing between the two. Ask yourself, what does the comparison between the two artworks tell you? What do you learn from your comparison?

 

Questions to ask as you visually analyze and compare the two paintings:
1. Paintings’ subject matters & genre: both are on natural landscapes, with depictions of mountains, trees, rocks, and rivers. But how are they different? And how are they similar?
2. Medium: Ink on silk. This means that they are both monochromatic, but pay attention to the shading. Where are the darker areas in the delineation of a mountain or a tree or a rock? And where are the lighter areas?
3. Format: Hanging scrolls. Is the painting vertical or horizontal
4. Line: Brushworks. How do these artists use their brushes and ink? Are the lines fine and thin? Or thick with heavy washes? Do you see axe-cut strokes? Or is it the controlled Baimaio? Or the loose calligraphic brushstrokes typical of the Chan Buddhist paintings?
5. Composition: How are the rivers, trees, rocks, and mountains organized in the painting? Where is the focal point where you think your eyes are most drawn to? Is it a corner composition?

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